Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
评分「7.5」
拍了两年抗美终于出了一个朝鲜人，除此之外真平庸啊。
入木三分变中庸。
冲着开幕式给张艺谋贡献票房。一场战斗一部电影。高手之间的对决。
个人感觉中规中矩，截取不起眼的小战役，撬动一个大主题。
22.03 开门见山，干净利落；化繁为简，以小见大；层层推进，曲折起伏；延续传承，精神永存…PS：国师现在格外喜欢传承这个概念啊…PPS：同场观影人观影素质不错，印象里难得所有人听完片尾曲看完字幕才离场
《狙击手》并没有宏观叙事，而是从一个极小的切入点，集中展现了一场中美精英狙击战。
美军的演员台词都太差劲，对地形的交代太少，五班以及后期大永的跑位缺乏更高视角的展现
太多子弹特效扣一分。情感丰富但不过分煽情。
其实我们需要更多这样平庸但有完成度的商业片。
在近期同类题材一股脑儿毫无章法堆砌爆破、特效和情绪的时候，张艺谋选择了从简，一次任务，一个场景，一场对峙，一个赌注。叙事的简化使得节奏的把控发挥到最佳状态，把策略和心理战处理得松弛有度且极具观赏性；终于能让人看懂、看清楚敌我方位和形式等空间感的调度（尤其是对以望远镜瞄准器等主观镜头为主的视点镜头的运用）至少做到了极为顺畅不辣眼睛。敌军戏指导和表演层面依然有些刻板，是全片最大短板。表演最佳当属章宇，睿智、严肃、冷静同时还克制着内心的悲愤，内敛更显情感力量。比较叙事更复杂但拍得稍潦草的《悬崖之上》我个人会更偏向这部，感觉春节档先冲这部比较稳妥。
位愈重而言愈恭，
对张艺谋本来并无好感，无论前面好坏。但狙击手紧凑，场面虽小气节全胜，逻辑清晰，真的是我喜欢的样子。
小场面狙击，气氛不错，勺子亮点，子弹特效有点出戏。
找到帽子了😭
m2296：没看之前以为是张桃芳的故事，难道是中国版《兵临城下》?或者是仿俄罗斯女狙击手的电影?不曾想是团队V团队，让小孩现场送情报很难?整体有点散，不够有脑。
对于我来讲，故事讲得完整，却不精彩。
冲着开幕式给张艺谋贡献票房。一场战斗一部电影。高手之间的对决。
印象很深的是中间有个镜头，枪口在雪堆上慢慢探出，太刺激了，像蛇一样，好性感
3.5 章宇真不错 2022/3/23@中影
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