With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
慢悠悠的节奏，疫情WFH期间，让人觉得疗愈效果很棒。不要悲伤，守护家园吧～
打不打boss已经无所谓了 治愈才是最棒的！
就挺适合我这种玻璃心想看看电影治愈的人！迷途之家简直是个乌托邦的存在！
真的太好看了，太治愈了，破防了好几次！这个评分绝对低估了，虽然有的人可能感觉打斗场面太小了，但是这个就是治愈番，不需要大规模场面。我真的感觉画面非常美，日的夏天就是yyds，淡淡的温馨的感觉～
不是单纯的灾后治愈 而是告诉你无论遭遇了什么都不要一直陷入悲伤 不然会开出被怪物吃掉的花朵
要素过多，剧情一般，boss好脆，主要是配音太出戏
人生嘛不能贪多
温暖治愈的电影，剧情简单但不无聊，作画精美，这就够了呀
有点悬浮的温暖电影。养老首先要考虑的是疾病和身体不便，这里面都没有。里面有很多片段让人不安，对自己好就是买包，办生前葬礼，还有share house广告，挺消费主义的。不带脑子思考还是很轻松的电影。
画面没得说，尤其是自然景，太棒了。剧情就……一般吧，高潮那里太潦草了吧？
也就是说婆婆明明知道自己很过分，还一直要求儿子媳妇花钱，虽说最后对儿媳妇表示感激，但是也说了：做人还是要任性一点，可是大家都任性了，你要去谁家养老呢……
四颗星给美丽的风景，治愈舒服😌。情节后期出现妖怪有点突兀，死的很突然。
剧情太平了，打怪也很仓促。白白浪费了那么多妖怪的出场！
就挺适合我这种玻璃心想看看电影治愈的人！迷途之家简直是个乌托邦的存在！
奶奶👵🏻和”奇妙物”们的互动简直夏目玲子晚年既视感了~
用以治愈情绪波动和时而生出emo时刻
剧情上感觉编排混乱，但又确实有些温馨的片子
“人啊 还是要对自己好一点”
一开始是奔着mana配音来的，后来发现居然也是后311企划之一。也算巧合吧。
画面没得说，尤其是自然景，太棒了。剧情就……一般吧，高潮那里太潦草了吧？
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